Download A biographical dictionary of actors, actresses, musicians, by Professor Philip H Highfill Jr PhD, Professor Kalman A PDF

By Professor Philip H Highfill Jr PhD, Professor Kalman A Burnim PhD, Edward A. Langhans

An immense undertaking began in 1973 reaches its end with the book of volumes 15 and sixteen of the Biographical Dictionary, a chain thought of "a reference paintings of the 1st order" through Theatre and appearing Arts Collections.Among performers highlighted in those final volumes is Catherine Tofts, a talented singer whose renowned acclaim was once captured in traces by means of Samuel Phillips: "How are we pleas’d whilst beauteous Tofts appears, / To thieve our Souls via our attentive Ears?’ / Ravish’d we hearken to th’ inchanting tune, / And seize the falling Accents from her Tongue." the 1st singer of English start to grasp the shape of Italian opera, Tofts often received top roles over local Italian singers. Her salary—?400 to ?500 a season—was one of many maximum within the theatre. Her recognition declined, even if, as her calls for for cost increased—a state of affairs captured in an epigram Alexander Pope can have penned: "So shiny is thy attractiveness, so captivating thy music, / As had drawn either the beasts and their Orpheus along; / yet such is thy avarice, and such is thy delight, / That the beasts should have starved, and the poets have died."John Vanbrugh, whose play The Relapse is ranked as the most effective comedies of the recovery interval, turned a subordinate crown architect below Sir Christopher Wren in 1702. In 1703, Vanbrugh begun plans for the Queen’s Theatre within the Haymarket, an firm recommended through the package Cat membership (of which Vanbrugh used to be a member). even if his lavish layout used to be acoustically faulty, restructuring helped right the matter and the theatre finally grew to become the specific heart for opera in London.

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Extra info for A biographical dictionary of actors, actresses, musicians, dancers, managers & other stage personnel in London, 1660-1800, Volume 16

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Westley Treasurer," dated 4 June 1782, confirms his function. Westley continued as treasurer through the season of 179899, by which time his salary had risen to £8 per week. In the 17991800 season he relinquished his office to Richard Peake, who from about 1790 had been his sub-treasurer. From 1800 until the end of his career Westley was Peake's subordinate. (He was the subject or butt of a mysterious jocular entry scrawled boldly under the date 3 August 1797 in folio 64 of the British Library's Add MS 35118: "Mr Sheridan betts Mr.

Mrs. Clive played the part of Kitty Pry, and was no less a favourite than the other. " As soon as it was possible to be heard, Weston, in his own inimitable and humourous manner, asked aloud, in a seriously stupid amazement, and pointing to Mrs. Clive,"Shoot her! Shoot her! Why should I shoot her? '' The apparent earnestness and simplicity with which he asked this question, were so inimitable, and it so truly applied to the excellent acting of Mrs. Clive, that the burst of laughter was universal, and the applause which Weston deserved, attended him through the part.

They beg an Answer. Be pleas'd to direct to your humble Servant R. " The Meaning why I mention this Letter is, that the Son, the very Night this Letter was wrote, in all Appearance, expir'd, was stripp'd and wash'd, the Bed taken away, and he laid stretch'd on a Mat, with a Bason of Salt (a common Custom in England) placed on his Stomach, the inconsolable Parents remov'd to another House, the Coffin brought to the Son's Chamber, and the Windows all open. About Eight at Night a Person was sent with a Light to watch the Corpse: When she open'd the Door, the first Object she perceiv'd was poor Bob (as he was generally call'd by his Familiars) sitting up, with his Teeth trembling in his Head (and well they might) with Cold.

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