By Paul M. Edwards
Written by way of a well informed movie critic and Korean battle student, this can be the single consultant solely dedicated to the research of Hollywood and tv motion pictures in accordance with the Korean battle, 1950-1953. It opens with 8 brief essays, discussing the allure of the warfare movie style, govt and filmmaker cooperation, the isolation of Korean battle movies from different warfare motion pictures, why John Wayne did not make a Korean struggle movie, the opposite actors who did, the plots of Korean struggle motion pictures, tv and Korean battle movies, and the myths as a result of movies. Eighty-four movies are then mentioned in alphabetically prepared entries.
The entries comprise creation unit, colour prestige, manufacturer, director, screenwriter, actors and actresses, motion picture size, and the author's numerical ranking of the movie. The remark locations every one movie in the context of alternative struggle motion pictures, the Korean struggle, developments in Hollywood, and the social and political realities of the USA. the movies are also indexed chronologically. manufacturers, administrators, screenwriters, actors, and actresses are listed via accountability and are integrated within the normal index. The booklet additionally offers an inventory of 109 documentary motion pictures to be had for public viewing.
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Additional resources for A Guide to Films on the Korean War
While almost any current war film will acknowledge the help of the Department of Defense, or State, it is usually in an effort to suggest realism, not because they have received significant amounts of support in terms of men or equipment. The Isolation of the Korean War Film The gap of literary and media interest in the Korean War is something of a phenomenon. Few novels, little or no poetry, few paintings, almost no display photography and a limited number of scholarly works have appeared. The war which lasted three years produced less than a hundred feature films.
All these began to reflect Vietnam in a manner which, after some time, would move toward healing America's wound. While the Vietnam War raged on, viewed by millions on their television sets, Hollywood undertook another series of World War II movies. They received mixed response from the military who provided some help for the filming of Tora! Tora! Tora! (1970) and Patton (1970) but none (none was requested) for The Bridge at Ramagen (1968) or for The Last Detail (1973). The latter because they felt it made fun of military regulations.
This has allowed a variety of strange myths to emerge from the Korean War; myths bora and reinforced by the films designed to portray it. I have listed ten of the most obvious. (1) That the Korean War was a continuation of World War II. Hollywood responded to the outbreak of war in Korea by bringing out old combat footage they had left over, and plugged in the old formulas. What resulted was the feel of World War II. For many, it appeared the troops were fighting over the same ground, using the same weapons, against the same targets.